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Horace Silver: The Top 25 pearls in Jazz history
Horace Silver biography
From the perspective of the 21st century, it is clear that few jazz musicians had a greater impact on the contemporary mainstream than Horace Silver. The hard bop style that Silver pioneered in the ’50s is now dominant, played not only by holdovers from an earlier generation, but also by fuzzy-cheeked musicians who had yet to be born when the music fell out of critical favor in the ’60s and ’70s.
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Silver’s earliest musical influence was the Cape Verdean folk music he heard from his Portuguese-born father. Later, after he had begun playing piano and saxophone as a high schooler, Silver came under the spell of blues singers and boogie-woogie pianists, as well as boppers like Thelonious Monk and Bud Powell.
In 1950, Stan Getz played a concert in Hartford, Connecticut, with a pickup rhythm section that included Silver, drummer Walter Bolden, and bassist Joe Calloway. So impressed was Getz, he hired the whole trio. Silver had been saving his money to move to New York anyway; his hiring by Getz sealed the deal.
Silver worked with Getz for a year, then began to freelance around the city with such big-time players as Coleman Hawkins, Lester Young, and Oscar Pettiford. In 1952, he recorded with Lou Donaldson for the Blue Note label; this date led him to his first recordings as a leader. In 1953, he joined forces with Art Blakey to form a cooperative under their joint leadership.

The band’s first album, Horace Silver and the Jazz Messengers, was a milestone in the development of the genre that came to be known as hard bop. Many of the tunes penned by Silver for that record — “The Preacher,” “Doodlin’,” “Room 608” — became jazz classics.
By 1956, Silver had left the Messengers to record on his own. The series of Blue Note albums that followed established him for all time as one of jazz’s major composer/pianists. LPs like Blowin’ the Blues Away and Song for My Father (both recorded by an ensemble that included Silver’s longtime sidemen Blue Mitchell and Junior Cook) featured Silver’s harmonically sophisticated and formally distinctive compositions for small jazz ensemble.
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Silver’s piano style — terse, imaginative, and utterly funky — became a model for subsequent mainstream pianists to emulate. Some of the most influential horn players of the ’50s, ’60s, and ’70s first attained a measure of prominence with Silver — musicians like Donald Byrd, Woody Shaw, Joe Henderson, Benny Golson, and the Brecker Brothers all played in Silver’s band at a point early in their careers. Silver has even affected members of the avant-garde; Cecil Taylor confesses a Silver influence, and trumpeter Dave Douglas played briefly in a Silver combo.
Silver recorded exclusively for Blue Note until that label’s eclipse in the late ’70s, whereupon he started his own label, Silveto. Horace Silver’s ’80s work was poorly distributed.
During that time he began writing lyrics to his compositions, and his work began to display a concern with music’s metaphysical powers, as exemplified by album titles like Music to Ease Your Disease and Spiritualizing the Senses. In the ’90s, Silver abandoned his label venture and began recording for Columbia.
With his re-emergence on a major label, Silver once again received a measure of the attention his contributions deserve. Certainly, no one ever contributed a larger and more vital body of original compositions to the jazz canon. Silver died in New York on June 18, 2014, at the age of 85.
He had a son, Gregory – now a rap musician under the name of G Wise – from his marriage to Barbara, which ended in divorce.
Horace Ward Martin Tavares Silver, pianist and composer, born 2 September 1928, died 18 June 2014.
Selected Discography
Horace Silver and the Jazz Messengers, Blue Note, 1954
Blowin’ the Blues Away, Blue Note, 1959
Song For My Father, Blue Note, 1964
Cape Verdean Blues, Blue Note, 1965
The Hardbop Grandpop, GRP, 1996
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Horace Silver – Blowin The Blues Away
Personnel:
Horace Silver – piano
Blue Mitchell – trumpet
Junior Cook – tenor saxophone
Gene Taylor – bass
Louis Hayes – drums
from the album ‘BLOWIN’ THE BLUES AWAY’ (Blue Note Records)
| Artist or Composer / Score name | Cover | List of Contents |
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| How To Play Bebop Vol 1 to 3 David Baker – (Italiano – Italian) |
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| How To Play Bebop Vol 2 David Baker |
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| How To Play Bebop Vol 3 David Baker for all instruments |
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| How To Play Blues & Boogie Piano Styles |
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| How To Play The Piano (By Mark Hambourg) (1922) | How To Play The Piano | |
| How To Practise On The Piano – Reflections And Suggestions (By Heinrich Ehrlich) (1901) |
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| How To Really Play The Piano The Stuff Your Teacher Never Taught You (Bill Hilton) Book |
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| How You Like That Blackpink (Musescore File).mscz | ||
| Howard Goodall Shackletons Cross |
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| Howard Richman – Super Sight Reading Secrets (Guitar – METHOD) | Howard Richman – Super Sight Reading Secrets | |
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| Howard Roberts Guitar Book By Howard Roberts And James Stewart |
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| Howard Shore Dwarf Song From The Hobbit. An Unexpected Journey |
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| Howard Shore Jacobs Theme From The Twilight Saga Eclipse Piano solo |
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| Howard Shore The Lord Of The Rings Sheet Music Collection | Howard Shore The Lord Of The Rings Sheet Music Collection | |
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| Howard Shore Lord Of The Rings – In Dreams (The Breaking of the Fellowship) | In dreams. | |
| Howard Shore Lord Of The Rings Medley Jarrod Radnich Virtuosic Piano Solo Sheet | Howard Shore Lord Of The Rings Jarrod Radnich Virtuosic Piano Solo Sheet | |
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Lord Of The Rings The Fellowship of the Ring (piano-vocal-chords) |
| Howard Shore Lord Of The Rings The Fellowship Of The Ring Complete Transcription For Piano | Howard Shore Lord Of The Rings The Fellowship Of The Ring Complete Transcription For Piano | |
| Howard Shore Neil Finn The Hobbit song of the lonely mountain (An Unexpected journey) | The Hobbit song of the lonely mountain | |
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| Howard Shore Silence Of The Lambs Main Theme | Howard Shore Silence Of The Lambs Main Theme | |
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Howard Shore The Hobbit An Unexpected Journey Contents List |
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| Howard Shore The Lord Of The Rings The Return Of The King Howard Shore Viggo Mortensen |
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| Howard Shore The Lord of the Rings The Return of the King Minas Tirith | Lord of the Rings – The Return of the King.PDF | |
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Howard Shore The Lord Of The Rings The Return Of The King piano vocal guitar chords Contents |
| Howard Shore The Lord Of The Rings Complete Score for piano and voice |
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The Lord Of The Rings Complete Score Howard Shore |
| Howard Shore The Lord Of The Rings Complete Trilogy (Piano Vocal Guitar Chords) |
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Howard Shore – The Lord Of The Rings Complete Trilogy — Howard Shore The Lord Of The Rings Complete Trilogy (Piano Vocal Chords) CONTENTS |
| Howl’s Moving Castle – Promise Of The World (Musescore File).mscz | ||
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| Hymn Anthology The Essential The Best Of The Phillip Keveren Series |
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Hymn Anthology The Essential The Best Of The Phillip Keveren Series CONTENTS |
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